More Erratta\'s from Music Panel Section 4 & Section 2
Regional Test Piece Section Four: 2014
Three Spanish Impressions A. Fernie published Obrasso-Verlag.
The following list of Errata has been issued, with apologies, by the composer and publisher of this work. This list supersedes previous lists.
First movement ;
Page 1 - bars 1/2 and 5/6 - 2nd and 3rd cornets, Solo and 1st Horn - tied over bar-line
bar 3 - Baritones - Cantabile (as Euph.)
Page 2 - bars 12/13 - Solo and 1st Horn - tied over bar-line
bars 13/14 - Solo and 1st Horn - phrased as 2nd /3rd cornets
bar 15 - Solo Horn - first 2 notes tied
Page 3 - bar 21 - Baritones - forte
Page 6 - bar 46 - Horns 1 and 2 - mezzo piano
bars 50-51 - 2nd cornet - last note in bar 50, A, tied over bar-line
3rd cornet - last note in bar 50, F, tied over bar-line
Horns 1 and 2 - tied over bar-line
Second Movement:
Page 8 - bar 16 - Euph. and Basses - diminuendo
Page 9 - bar 23 - Solo Cornet, lower part, first note G, not F#
Page 10 - bar 33 - Btrb./Timpani - mezzo forte
bars 34 and 38 - Soprano, Solo Cornet, Baritone 1 and Euph. - 1st note tenuto
P.11 - ** bars 44 Repiano Cornet 3rd beat should be quavers A♮ B♮ as per S.C.
**bar 45 Repiano Cornet first crotchet C ♮, then A♮ & A♮ as written.
Page 12 - bar 56 - Trombone 2 - cresc. and dim, as Trombone 1. Bass trom. - mp, no cresc. & dim.
bar 58 - all the horns' last note should be F#
Page 14 - bar 72 - Timpani - piano
Page 15 - bar 90 - Soprano - straight mute in
Page 16 - bar 99 - Sop./Rep/ 2nd and 3rd cornets - mutes out for start of third movement.
All the single C glockenspiel strokes bars 4,6,8,10, 12, 67, 69, 71, 73, 75 and 77 should have a beam off them as in bar 2 of this movement.
Third Movement;
Page 18 - bar 13 - Soprano - mezzo forte
bars 13/14 euph F Natural as S.C.
bar 18 - Percussion 2 - quaver on beat 1 (castanets)
bar 19 - Percussion 3 - triangle, mezzo forte
Page 20 - bar 35 - Horns and Baritones - mezzo forte
Page 21 - bar 46 - Percussion 2 - as bar 18 (castanets)
Page 23 -bar 65 - Eb Bass, last beat, 1st quaver should be a B (not an A)
bar 69 - Timpani - tacet
Page 24 - bar 71 - Timpani - tacet **Bars 71 & 73 Cnts/ Troms crotchets: 2nd beat - staccato
Page 25 - bar 89 - Solo Cornets - tutti
Page 27 - bar 105 Solo cornets & repiano should be piano (p) -
Page 27 - bar 109 - Basses - first note tacet
Bar 110 - Bass trom. F minim not G.
Page 30 - bar 138 - 2nd Horn - rhythm same as Baritone 2 (dotted crotchet, three quavers)
Page 31 - bar 148 - 1st Trombone - rhythm same as all horns, baritones and other trombones
Page 32 - bar 158 - 1st Horn - last note A
Page 33 - bar 165 - 2nd Horn - rhythm same as rest of horn section.
Obrasso-Verlag
In the light of the recent problems caused to Section Four bands with this work, as an act of good faith the publishers make the following offer to all Section Four competing bands:
Obrasso-Verlag offer to send, free of charge, to all Bands participating at the 2014 Section Four Regional Contests, one Brass Band piece published by Obrasso-Verlag, including postage to their home address.
Bands will be requested to supply direct to Obrasso-Verlag the following details before March 31st 2014:
- orders by e-mail / fax / or by Obrasso's website directly to Obrasso.
- full Band Name, Band Secretary or Band Manager responsible and full home address & title of work chosen.
Orders via UK resellers can not be considered.
This offer closes March 31st 2014.
Alan Hope
Secretary, Kapitol Music Selection Panel. 28th January 2014.
Chaucer's Tunes - (based on questions raised)
Bar 7 : All crotchets should have staccato dots and accents
Bar 9: as above all crotchets should have staccato dots and accents
Bar before '2' - BBb Bass 2nd crotchet G natural
5 bars before ‘5' - 2nd Cornet should be pp
4 and 3 bars before '5' - Baritone parts pp then cresc as band.
2nd bar of '6' - 3rd cornet & troms. accent on F's as cornets.
'9' - sop & rep muted from ‘take mute' to ‘Mute out' mark before 10.
7th bar of '19' - trombones 'f' . - as on score.
5 before '25' - dynamic for the horns, Horns mf - cresc. begins a bar later at 25-3 for both Horns and Trombones.
4 before '27' - 2nd & 3rd cornets - f sub.
2 before '32' - These are semitone trills, Eb Soprano Cornet should play (written) F-Gb trill and the 1st Reps Bb-Cb
'37' - Euph should be 'mf'.
'44' - Fluge, & horn parts 'f'
'46' - Troms - straight mute 46 to bar before 47.
'46' - baritones dynamic p 2nd beat & on.
'53' - the quavers (bars 2/4/6/8) slurred.
Feb 1st. 2014
